Live Search

Stream Beyond Limits

Title Spotlightمزاحیہ

Price Check

مزاحیہڈرامہ

Peter, a family man who works for a failing supermarket chain finds his life shaken up by his new boss, Susan, who starts to groom him for an executive position. Money and opportunities are within his grasp, but at what price?

سال

2014

دورانیہ

1h 32m

IMDb

5.5

ابھی دیکھیں

Hero Poster

کاسٹ

Michael Walker

Director

Parker Posey

Susan Felders

Eric Mabius

Pete Cozy

کاسٹ

Michael Walker

Director

Parker Posey

Susan Felders

Eric Mabius

Pete Cozy

Annie Parisse

Sara Cozy

Matt Servitto

Jim Brady

Finn Donoghue

Henry Cozy

VC

Victor Cruz

Dave Scalzod

Amy Schumer

Lila

Josh Pais

Doug Cain

Brian Berrebbi

Matt Davis

Xosha Roquemore

Donna

Samrat Chakrabarti

Eddie

MW

Matt Walker

Tony Gomes

Mylinda Hull

Daphne's Mother

Marceline Hugot

Mrs. Raphael

Remy Auberjonois

Todd Kenner

Faith Sandberg

Bennington's Assistant

Edward Herrmann

Jack Bennington

Juan Luis Acevedo

Salesman

Michael Walker

Writer

ٹریلر

Featured Picks

مزید entertainment چاہتے ہیں؟ ہمارے recommended gaming hub اور short-drama destination کو explore کریں۔

Instant Games

Gamixo

Puzzles، cards، sports اور quick challenges والے casual browser games چند سیکنڈ میں کھیلیں۔

Short Drama

VSKIT Drama

Trending mini-series، romance stories اور نئے short dramas کو fast daily updates کے ساتھ دیکھیں۔

تبصرے

10 تبصرے

Srijana KoiralaMay 29, 2023

source: Price Check

abida.mussaaMay 23, 2023

Its a great movie, maybe the ending was a bit weird. But happy ending in a weird way. Lots of fun, awesome acting from the main protagonist and all the others. Some scenes are really really fun for this budget movie.

Mustapha NdureMay 23, 2023

Why this movie doesn't work is an interesting question. It kept my attention all the way through, and apparently I'm still thinking about it. Parker Posey is great in her usual style as Susan Felders, playing a charismatic but unstable corporate executive. Eric Mabius is Pete Cozy (Who sold out for a cozy life, get it?), our ostensible protagonist, he is mostly just a straight man for Posey. We're told over and over how he used to be in the music business, which made him happy, and now he has a corporate job which does not. Cozy's wife, Sara (Annie Parrisse) seems like an intelligent and loving woman, but in terms of dialogue her main concerns are buying a Volvo, getting pregnant, and not getting a job. There's some adultery, and some intrigue, the consequences don't really show up until the last 15 minutes and then they're resolved off-screen, leaving everything almost exactly where we started except for a lifestyle bump and additional child for Pete and Sara. What did it all mean? I don't know. Maybe there's such a thing as too much ambiguity for your characters.

Saron Ayelign ❣️May 23, 2023

This is one of those movies that, at least to me, sucks you in quickly. The actors are familiar and you are immediately drawn to them whether you like their characters or not. I haven't seen Parker Posey that much but she is excellent as the overbearing but sexy boss. The lead male role is also excellently played and will remind you a bit of John Krasinski. Good writing shows a realistic slice of corporate life including the chemistry that leads to office affairs. It does have an "Office" feel about it and does go over the top at times but it is entertaining. I think the ending could use some work but an overall good way to spend 90 minutes. Also, if nothing else grabs you, the soundtrack is great. Give it 10 minutes and if you don't feel the draw, turn it off.

shiva ravanMay 23, 2023

I agree with the majority that this is not the best film, but not bad either. The problem with it was the slow start and slow middle part, but the final act was so good. When I was watching it, I did not think I would rate it decently. I changed my mind after seeing the final few minutes and how it all ended. The film focused on a middle class family man who is working in a supermarket chain. But this is particularly about him and his boss. After he declined the top position in the office to lead a stress free normal life, his new boss who gets close to him for his good character. That complicates him, between office and family. When a big opportunity knocks, followed by a roadblock, what happened after that was covered in the remaining narration. Basically, the whole film was concentrated between two plus one character and occasionally supporting cast. As the poster hint, it's not Parker Posey's film, she was only part of it and a famous name among the cast. Though, actors like Amt Schumer and others are in small roles. So the performances were good, with the decent storyline. This is not a famous film, I don't think many had seen it or heard of it. It was more like a television film, the quality wise, especially for the holiday season. I Think it can be watched once with a low expectation, particularly the comedy parts. 6/10

AliceMay 23, 2023

I really liked the first hour of this movie--really liked it. I liked the energy of the new boss, played by Parker Posey, (even though she's hard to take in many ways), and the fact that she inspires the just-get-through-the-day-in-a-job-we-don't-care-about office mates to care about their work. She's a Steve Jobs in drive and in treatment of her underlings, and I appreciate that a lot (the good and the bad of that). The whole office becomes glad for what they're getting to accomplish during the workday, which enriches their lives. They get a bonus doubled. Especially in this regard, I enjoyed how Eric Mabius's character (think: Jim Halpert) goes from wasted potential to useful, competent, better-paid worker and better provider for his family. I loved Annie Parisse as his wife. She's a mom, yet (don't take offense, moms!) beautiful, intelligent, sexually engaged, loving, and supportive to her husband. She's a fantastic, caring wife. They have a great, committed relationship and are a good model of a great marriage. And, Pete (Eric Mabius) is, like a few characters verbalize, a good, honorable, truthful guy who's intelligent and competent, but truly humble about himself. He's very likable. I like how Parker Posey as boss over Pete includes Sara (Annie Parisse) in work things and befriends her, almost as a safeguard to let Sara know that even though Pete and she are working closely together and hard on work stuff that she acknowledges that Pete is Sara's husband and not her (Parker's) love interest in any sense. So much positive is going on. The reason I gave the movie a 5, rather than an 8, is because I was so disappointed in what happened in the storyline in the last 45 minutes, both in actions that are taken and in the undeveloped resolution to the mistakes that were made. I'm glad the movie wound up in the end where it did, but I was in mourning for about 35 minutes as a few characters "go off the rails," so to speak. "Uggghhh. Oh, no. Oh, no. Don't become that!" was my response during that time. For me, it was brutal. I always enjoy movies in which good or bad characters have a choice, admit to themselves what the right action is, and then do what's right, even at great personal sacrifice, shame, or loss to themselves . . . out of love and care for others. Perhaps this movie makes the case for its viewers to be better than its characters by showing the significantly muted gains they experience by the film's end.

Amanda BlackMay 23, 2023

Parker Posey has been one of the queens of the indies for the past two decades, and she extends this with Michael Walker's "Price Check", in which she plays a no-nonsense woman who becomes boss of a company. However, it negatively affects the home life of one of the employees. Posey's character reminded me of her character in "The House of Yes": you grow to love them, but you'd probably be afraid to approach them. Eric Mabius's character starts out nothing like his character on "Ugly Betty", but becomes more like him. In the end, this is a movie that you truly have to appreciate: with limited resources, they made an infinitely better movie than anything that Michael Bay's ever made (as can be expected with indies). I recommend it.

Fat Make upMay 23, 2023

I saw the movie on Netflix while browsing randomly and quite enjoyed it. Pete Cozy is a good guy who seems to have made some compromises around his career (really wanting to pursue music) but settles for an average job and then enters Susan his new boss and things change. The movie depicts very well how money can be seductive and change you; you can't help but feel bad for Pete in the beginning and perhaps even relate with him at many levels (esp if you have struggled in an industry where it really is tough get a break) and eventually settled for a regular 9 to 5. Parker Rosey is a delight as the ruthless new Boss. The transition of Pete and his wife, the change that money brings to them is interesting to watch. How i wish the movie would have ended with Pete pursuing a career in music leading a humble lifestyle but indeed it is sad how some of the external factors in our lives can shape our choices I thought it ended sadly :(

𝑮𝑰𝑫𝑶𝑶_𝑿May 23, 2023

Watching this flick was sorta like watching "The Office" except the characters are unlikable and it's just not as funny. The plot is about a guy who has a family of his own and works for a company but a woman boss takes over as the head of the company. And the movie is basically about the dude coping with and having a relationship with his female boss who is having a midlife crisis and is selfish and crazy. And most of the humor comes from her going bonkers, acting crazy and spazzing out. And those parts I chuckled a few times. It's not bad for a rent but you won't be missing all that much if you pass on this one. 5.6/10

patelMay 23, 2023

You might've noticed that many of the negative reviews begin with something like "I'm a huge fan of Parker Posey, but I didn't like this movie." That can be expected because it's not a very typical role for Posey, and the film is nothing like the silly, fast-paced Christopher Guest comedies that earned her so many fans. With the DVD cover pumping up our expectations with quips like "Posey is hilarious in this!" it's hard not to be disappointed when you realize this is more of a drama than a comedy. True, she brings to the table the same lovable goofiness, as neurotic as Tina Fey on crack, but where it breaks from her typical roles is that her character "Susan" in this film can be a thoroughly reprehensible person, and this complex dichotomy forces us to take her character more seriously than her typical lovable nerd roles. Imagine a very lovable, innocent, quirky personality like, say, Sheldon on Big Bang Theory. But now make that character do some pretty rotten things like, say, kicking cute puppies. The love/hate dichotomy might freak you out. It will either scare off the Posey fans or draw them in with curiosity as it did me. If you remember the 80s sitcom Taxi and Danny Devito's odd character "Louie" the lovable scumbag who, if you were to meet in real life, wouldn't be worth the saliva to spit on him with, Posey gives us a similar feeling. Her character is the personification of everything that's wrong with corporate culture: sneaky, self-serving, without ethics, hypocritical and borderline depraved. Posey pulls it off brilliantly with her over-the-top quirkiness, and it may take you 30-45 minutes to figure out that she isn't really the "hero" of the story, she's more like a dark Mephisophelean force who is corrupting the good guy. Midway, the film takes a dark turn and after that we don't get many funny gags (or perhaps we do, but they suddenly aren't meant to be funny) because the story becomes tense. This challenging shift may lose some viewers, but it's ultimately what makes this a memorable film. Disguised as a quirky comedy, the film reveals itself to be an intimate look at the underbelly of human nature. There aren't many films I can compare this to, particularly not any blockbuster Hollywood productions. But if you've seen the Christina Ricci film "Pumpkin" (a satire about a snobby sorority chick who falls for a disabled kid), or the unknown gem "Great World of Sound" (a silly yet sobering flick about sleazy profiteers in the music industry), that'll give you an idea of what to expect in "Price Check". A more popular film I'm reminded of is "The Informant!" with Matt Damon playing a goofy character caught up in the dirty world of economic crimes (based on the true story of the Archer Daniels Midland price fixing scandal). None of these comedies will have you rolling with laughter, but perhaps better, they'll lead you on a whimsical tour of some heavy societal problems we face. One thing's for sure, if you like well-made, well-acted, oddball movies that defy categorization, "Price Check" is for you.