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Death on the Nile

अपराधड्रामारहस्य

नील नदी पर छुट्टी के समय, हरक्यूल पोयरोट को एक युवा उत्तराधिकारी की हत्या की जांच करनी चाहिए.

वर्ष

2022

अवधि

2h 7m

IMDb

6.3

अभी देखें

Hero Poster

कलाकार

Kenneth Branagh

Director

Tom Bateman

Bouc

Annette Bening

Euphemia Bouc

कलाकार

Kenneth Branagh

Director

Tom Bateman

Bouc

Annette Bening

Euphemia Bouc

Michael Rouse

Private Laurin

Alaa Safi

Corporal

Sam James Page

Soldier 2

James Schofield

German Soldier 1

Eleanor de Rohan

Nurse

Susannah Fielding

Katherine

Kenneth Branagh

Hercule Poirot

Charlie Anson

Sergeant Verhaeren

DH

Danny Hughes

Soldier 1

George Jaques

German Soldier 2

Rick Warden

Monsieur Blondin

NW

Noel White

Maître 'D Chez Ma Tente

Russell Brand

Windlesham

Orlando Seale

Captain Rens

Jonah Rzeskiewicz

German Soldier 3

Adam Garcia

Syd (Photographer)

AC

Agatha Christie

Writer

MG

Michael Green

Writer

ट्रेलर

आपको ये भी पसंद आ सकते हैं

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Slay

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टिप्पणियाँ

10 टिप्पणियाँ

4ms_HensleyJul 14, 2026

This is great movie,good performance from the cast overall it's 7/10 It was entertaining watching it.

مومياءMar 22, 2025

Sid'Ahmed AbdelahiMar 22, 2025

LadyBee100Jul 18, 2024

Mike EdwardsJul 18, 2024

TomeNotaManMay 29, 2023

source: Death on the Nile

Ronaldo LimaMay 23, 2023

I suppose you could say this is a fake film for fake times. It looked surreal because it was surreal. Yes, it looked spectacular and lavish, but it was just not real. Just about everything was created on a computer, no trip to Egypt required. The day will come when CGI is so good there will be no need for actors and actresses. It will all be created by software. Rather than follow an established story with the same characters the need to force feed the viewer with PC wokery had to be catered for first. So we had, characters left out, characters introduced, names changed, genders changed, nationalities changed, ethnicity changed, same sex relationship introduced ... what a mess. Ironically, the outing of same sex relationship by Poirot in the reveal was callous and cruel. It played no part in the plot at all, in fact the portrayal of Poirot was way off the mark. Sophie Okonedo was the best thing in it, she was superb and disappointing that she was wasted in this poor adaptation. Both the TV drama (2004) and the 1978 film were better than this attempt, both being shot on location with actual REAL locations. Watch the 1978 film, it is much better and follows the original plot far more closely.

TikTok SportsMay 23, 2023

So flat. So boring. Another fault: they altered the book to make up a background for Poirot that Agatha Christie had not intended. I won't give it away, but the arrogance in yet another remake. It is conceit. Just don't mess with something unless you can do it better. Kenneth Branagh directs and stars in this rendition of Agatha Christie's classic. The cinematography is worth considering, but the acting and story are not in a positive way. Watching the fabled Death On The Nile be so unemotional and by-the-numbers is distressing as it sails (chugs) on the Nile. The claustrophobic ship and train of course become the site of a crime that Poirot is all but obligated to solve. Beninng as a prickly mother was the best actress here. All in all: i just came back from watching this and it falls flat.

Kuhsher Rose AadyaMay 23, 2023

I was looking forward to this movie, but turns out it's a very disappointing waste of time. This movie is only noise with card board characters. Not even worth finishing. It started with a barking dog, very bad sign, then foreign dialogue, explosions, generic characters and bad music. It got worse. Ugh.

Freda LumangaMay 23, 2023

Unfortunately, Ken Branaugh's latest Christie adaptation (like his previous Murder on the Orient Express) follows the current trend of using the brand recognition of exemplary icons (Christie, Tolkien, Roddenberry, etc.) to create dumbed down drivel stripped of its original intelligence, humanity, complexity and nuance and instead padded full of 1) tired regressive one dimensional sex stereotypes (women = slight and sexy and men = buff and violent) and 2) preachy political propaganda that is 3) made to appeal to the lowest common denominator in order to make the most money. There ought to be a law preventing people from rebranding Agatha Christie's name or her characters with these all-spectable-no-substance adaptations that pervert the art of the world's best selling author and diminish her estimable legacy in the hearts and minds of new generations. Christie must be turning over in her grave. Thank goodness for David Suchet, who used his clout and own incredible talent to insist on bringing Christie's authentic Poirot stories to audiences in all their brilliance. To the discerning viewer, those who are writing and directing these recent adaptations for profit at the expense of her art are a cringeworthy embarrassment to her canon of incomparable work.