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Title SpotlightBiography

Son of God

BiographyDramaKasaysayan

Ang kuwento ng buhay ni Jesus ay isinusulat mula sa kaniyang mapagpakumbaba na pagkatao sa pamamagitan ng kanyang mga turo, krus at huling pagkabuhay-muli.

Taon

2014

Tagal

2h 18m

IMDb

5.8

Panoorin Ngayon

Hero Poster

Cast

CS

Christopher Spencer

Director

Diogo Morgado

Jesus

Amber Rose Revah

Mary Magdalene

Cast

CS

Christopher Spencer

Director

Diogo Morgado

Jesus

Amber Rose Revah

Mary Magdalene

Greg Hicks

Pilate

Adrian Schiller

Caiaphas

Darwin Shaw

Peter

Sebastian Knapp

John

JW

Joe Wredden

Judas

Simon Kunz

Nicodemus

Paul Marc Davis

Simon the Pharisee

Matthew Gravelle

Thomas

Roma Downey

Mary, Mother of Jesus

PK

Paul Knops

Adam

Darcie Rose

Eve

David Rintoul

Noah

Gary Oliver

Abraham

William Houston

Moses

Stewart Scudamore

Ramesses

Nonso Anozie

Samson

RB

Richard Bedser

Writer

CS

Christopher Spencer

Writer

CS

Colin Swash

Writer

NY

Nic Young

Writer

Trailer

Maaari Mo Ring Magustuhan

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Mga Komento

10 Mga Komento

عبدو التهاميMar 19, 2026

Ivan SsekirandaSep 2, 2025

it's dope

osgvg gujJan 8, 2025

wait oo all these people way Jesus race from death, where then now? they die again abi... I nor understand!!

futurewingzNov 17, 2024

nice

Hisgrace4224 IsaacSep 30, 2024

Christian Movie

Chiraz BoutefnouchétJul 18, 2024

Ladislao_9Jul 18, 2024

user1185018386974Jul 15, 2024

Dija bayo 1996May 29, 2023

source: Son of God

Solomone KoneNov 22, 2022

Fast paced, dynamic. Such a contrast to Zeffirelli's languid "Jesus of Nazareth". It is easy to understand why people were attracted to this itinerant preacher. A plus is that many who are too familiar with Gospel texts may be startled awake when they hear them in new settings or coupled in unfamiliar ways. Making Mary Magdalene a constant companion of the apostles is very significant. The passion scenes are rightfully graphic. But not like those in Gibson's film, "The Passion of Christ" which crossed the line and became "obscene" - i.e., never cutting away, left "off the scene," from the details that should be left to the viewers' imagination. Gibson's film made most viewers squirm, avert their eyes, or some even get physically ill. This film does not pull away from the horror of what is happening. But instead of causing repulsion, aversion, and the desire to escape from it all, it moves us to deep, deep compassion. And, like his own mother, we feel the desire to relieve the suffering we observe. The film has a completeness to it that goes beyond the end of the story. There is resurrection, the post resurrection appearances, the given mission and empowerment of the Spirit. At the end, as the disciples leave to fulfill that mission, those in the audience who feel they are disciples of Christ, leave inspired with a renewed sense of purpose and strength. Those who are not disciples of Jesus, may feel an invitation from their Creator to look inside and reflect on their own purpose and mission in life. The movie is a gift, a grace, for all who have "eyes to see and ears to hear."