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Title SpotlightDrama

Miss Julie

DramaRomansa

Over the course of a midsummer night in Fermanagh in 1890, an unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.

Taon

2014

Tagal

2h 9m

IMDb

5.5

Panoorin Ngayon

Hero Poster

Cast

Liv Ullmann

Director

Colin Farrell

John

Jessica Chastain

Miss Julie

Cast

Liv Ullmann

Director

Colin Farrell

John

Jessica Chastain

Miss Julie

Samantha Morton

Kathleen

NM

Nora McMenamy

Little Miss Julie

August Strindberg

Writer

Liv Ullmann

Writer

Trailer

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Mga Komento

10 Mga Komento

Temwanani Ng'ona MazMar 16, 2024

I tried to give this movie a chance and then even a second chance. However, this movie is painfully boring.

Soyab patelFeb 25, 2024

matsinheFeb 25, 2024

source: Miss Julie

एलिशा रुम्बा तामाङFeb 25, 2024

...but sadly, such a low rating of this movie is the best indicator of time we are all living.

user6452378828102Feb 25, 2024

I had to stop watching as I was lulled into sleep. I do wish I had the large kitchen island.

Elijah Ķŕiš AmalgamaFeb 25, 2024

I'd have to agree with a few others- the acting is brilliant (I'd expect nothing else from this bunch) and the idea is there, but the pacing was painfully slow (no, I do NOT prefer action movies over dramas and yes, I LOVE period pieces). Even though it's over two hours long, I didn't feel connected to any character, which I believe is because of how it was filmed, not the actors, because again, they were committed and believable. All in all, not a total waste of time, but I won't be watching it again and will likely forget about it fairly soon.

DJ SADIC 🦁Feb 25, 2024

Miss Julie is a very compelling piece, that cannot be denied. The small, confined setting allows for this epic problem to play out in the most stressful way possible. And the performances by both Jessica Chastain and Colin Farrell are powerful in all of their subtlety and rancor. The two characters are always perfect juxtapositions; one with their innocence and the other with their malice. But which character is which? This is never made clear as they both seem to jump into one of the roles and back again. This leaves you more confused with the arguments that follow and the events that take place, and with questions that will forever remain unanswered. The problem that is the catalyst of the story isn't even, in my opinion, the act that takes place halfway through the film. No. In fact I believe it is the simple explanation that Farrell's character gives Chastain about love. Those conversations are dangerous at the best of times, and this just happened to be the worst of times. He bewildered her at a time of innocence, and whether he was sincere or not is irrelevant. The blow was struck. The two then panic and bounce between what they should do after the fact, both trying to lay blame on the other, neither realizing that it takes two to tango. You cannot help but pick a side while watching. Someone, whether it was him or her, had to be the responsible one; Had to know when to stop. But neither did, and so someone must take on the role of the villain, because the world is black and white. At the end the loser is left to his somewhat cruel fate while the "winner" is left to bask in his victory and shy away from the guilt that will never truly relinquish him of his part in the role. The characters search for absolution the entire time, and even when they they've found it, they will not be completely absolved. For all of the power in this filmed play, I have to say that I didn't like the material or the characters. Sexism, hatred, and sleaze take center stage and leave all who are involved considerably diminished. The ending will infuriate anyone with a soul and leave you questioning the way society works. 5/10

oly jobe❤Feb 25, 2024

Not having seen the play or being familiar with the story, I was expecting a romantic and sexually charged period piece as that's what the trailer implied. What I saw was a mentally ill woman being 'taken advantage of' (to put it mildly) by a man out to avenge his brother's death by playing mind games with her and ultimately absolving himself of any responsibility by encouraging her to take her own life. I was not prepared for a tragedy, and it left a sour feeling. The acting was intense and well done, the dialogue was poetic at times, and Colin's 'John' was a spot-on manipulating character. Jessica was outstanding in portraying existential pain and desperation to be free of it. It was painful to watch - which I'm sure is the point - but I would have appreciated knowing before watching that this is ultimately a tragedy and not -as labeled- a romance.

LiyaFeb 25, 2024

I found this one on Netflix streaming movies. I like all the actors and each does a fine job with their roles. However I don't care for the movie. It is well-made for what it is, an adaptation of a stage play. But save the very last scene (after SPOILERS below) nothing at all happens. It is a morality play. They talk, for very long periods of the film, trading ideas on life, engaging in some word-play, but nothing happens. Jessica Chastain is Miss Julie in 1890s Ireland. She seems spoiled and abuses her power over the service staff. Nothing serious just orders them around for her own amusement. She isn't a very nice person. Colin Farrell is John, the master's valet. He is a good, honest, level-headed person who seems to have a nice attachment and relationship with Samantha Morton as Kathleen the cook and kitchen manager. But Julie seems determined to get John to seduce her and he has to delicately balance saying 'no' with not being insubordinate. He didn't want to lose his job and he doesn't want to alienate Kathleen. I am certain that there is an audience for this movie but it is not me. The actors are good but the movie uses 2+ hours to tell a 20-minute story. SPOILERS: At the end when it became obvious that Julie was not going to get her way, at the same time realizing what a shallow and messed up person she is, she walks out to the back of the estate, reposes at a stream, and kills herself, we see red blood flowing to fill the stream with color.

Prashant TrivediFeb 25, 2024

The actors put their hearts and souls into this, but my wife and I found ourselves so bored with the toiling dialog about 30 minutes in that we just started to fast-forward until it looked like (via the frames at the bottom of the screen - thanks Netflix) something might actually be happening. Some of the emotion was laughably over-the-top, and the film was simply way too long. Not being familiar with the play, I have no idea how the film compares, but for me, the relationship between the two main characters in the film needed some background information to pull the viewer in. As presented, you wondered what drew the two together, as they seem to have no chemistry. I would give a higher review simply to reward the effort of the performers, but that would skew the score upward, and I don't think the film itself deserves it. Obviously, would not recommend.